It is widely considered one of the best American films of the 21st century. social network (2010) is a most unique directing, acting and screenwriting lesson, resulting in one of the most unique and indelible viewing experiences of its generation. Which seems almost fitting given its plot about Facebook, the most influential social platform of all time, which itself defined the aforementioned generation. And for those unaware, social network It was written by Aaron Sorkin, screenwriter known for earlier screenplays such as Some good guys (1992) and Futurism as Steve Jobs (2015).
This movie is his most famous work. Direction was taken by American author David Fincher, who put his pins into the project from the very first scene. He received Best Director nominations across the award board assemblies, while the actor catapulted to wider fame. And in the current scene, the two main characters are Mark Zuckerberg and Erica Albright.
Of course Mark plays Jesse Eisenberg and Rooney Mara plays Eric. They are the only two people in the exchange. It’s a six-minute scene that took a full ninety-nine to get right, as Fincher sets the camera on Mara and Eisenberg to smooth out the cadences and overlaps in Sorkin’s language. So everything these actors did was caught. You didn’t lose any moment. Fincher also ordered the extras to speak in full voice to give the actors a sense of realism. They were not in a quiet place, they felt under pressure and so they focused on them. it was in He. She.
Screenwriter Aaron Sorkin has primarily built his career on mastering the dialogue element. The dialogues of several interesting characters – usually based on influential or controversial real-life figures – set a special tone out of the gate and provide a certain rhythm to the film as a whole that is unique to the specific writer. and the resulting flow social network Among the most vivid examples of dynamic dialogue you’ll hear on the silver screen.
These characters talk to each other and, as shown in this opening scene, often discuss more than one topic at a time. These are two signs of a solid screenplay with a strong adherence to the story structure that is also evident in every corner of the story. And, of course, for the opening scene, it’s a dramatic accident: When Erica breaks up with Mark, it moves the plot, in other words. Mark starts blogging.
The sequence becomes a master lesson in storytelling, with writers, directors, and actors alike poring over its content ad nauseam since its release. Regardless of the script, two things must happen in every scene. The same rule applies to sequences that also focus solely on dialogue where two or more characters are speaking simultaneously. At least one of the speakers should speak to the other, usually using a different train of thought. This forces the audience to engage in discussions and focus on two lines of dialogue simultaneously.
But, of course, this filmmaking tactic—quick dialogue that instantly brings the viewer into the idiosyncrasies of the film’s main character—was hard to translate on screen. Whether the actors stuttered their words once or twice, were confused by their on-screen counterparts, or simply didn’t live up to Fincher’s expectations, the opening scene social network It took ninety-nine times to do this.
Every high-quality movie scene should have its share of nuances, whether they appear behind the camera or materialize in front of the audience’s eyes. On location in a Massachusetts tavern called The Thirsty Scholar, the scene was shot by hand with, for example, a Red One digital camera with a special photo value kit. The back-and-forth dialogue sequence lasts nearly six minutes or so, and with Sorkin’s dialogue causing injury, it appears on paper that the scene took way too long to meet Fincher’s standards.
Stanley Kubrick infamously shot several close-ups of Shelley Duvall radiation (1980) when she wields an ax to defend her maniac in a cage. The records go back and forth to the correct number, but there too city lights (1931) by Charlie Chaplin. One scene was filmed 342 separate times and the record still stands today. Impressive, but perhaps for the wrong reasons.
You might be thinking that all of these efforts are ultimately worth everyone’s time when you think of the celebrity scene. But overall, there is perhaps a stronger reason for Fincher to try so many things. Given the nature of the beast, Sorkin’s scenario, the absurd shot count eventually starts to make sense.
And for the efforts of all through and through, social network It won the Gold Medal for Best Adapted Screenplay and several other nominations. Not just at the Academy Awards – it’s ubiquitous on association boards. And honestly, much of the credit can be given to the dynamic and loose dialogue in the opening scene, which moves at breakneck speed. It sets the pace for the entire film and establishes a tone that only blossoms halfway through the film’s surprisingly suspenseful plot. And when the final shot and credits are cut, his overall storytelling style will resonate for years to come.